Ingrid Lucas’s work is highly intelligent, looking at hidden agendas and gender manipulation. Her paintings use color and size to seduce the viewer into another world of time gone by. Oil paint is applied thinly and evenly over a large canvas, with naively depicted figures mimicking magazines or children’s picture books. A prominent feature of her work is the choice of primary colors selected from her predilection for the 1950s magazines’ printing methods.
She deals with events and images that have had political impact in an attempt to remind us of lessons learnt and forgotten. Ingrid herself comments –“The ambiguity of time and space within my paintings creates confusion…….a juxtaposition of the visible becoming invisible, the seen becoming unseen and forgotten.”